專輯介紹：
《遺心病》是一場無盡的儀式
被病附著、侵蝕、蔓延
與之對抗、獨處、共舞
 
 
無名怪物在體內悄然上演著
一段我們人生避無可避的劇本
親近者也無可倖免地恐懼、哭泣...

以愛為處方，用陪伴寫病歷，病名是「遺心」
從〈破體〉到〈解藥〉，從崩壞到重組
這六首歌關乎時間與身體，存在與意志

面對命運，我們無能為力
但從中體會到的愛，仍足以改變我們的一生

ᔓᔓᔓ

聲子蟲 2025 第三張專輯《遺心病》，取材自團員親近之人發病的經歷，並回望歲月在你我身上的帶離，風格融合器樂後搖滾、電風琴、自由爵士、弦樂、Darkwave 實驗電子聲響、詩歌童謠，塑造末世映畫般的音景群像。

《遺心病》是一張六首歌概念相連的專輯，歌曲從患者、陪伴者、疾病、宿命的視角，交互詰問與吞噬，敘述病發後的困獸之鬥、治療期的副作用、命懸一線的剎那，以及狀似痊癒後，集體壟罩在復發恐懼裡的遺心症候。

《遺心病》全輯由吉他手柯明與盧律銘共同作曲、聲子蟲編曲、盧律銘製作，在台北傳奇錄音室 112F Recording Studio 錄製。較諸前作更顯成熟破格，不僅強化吉他旋律性、鼓奏的變化性，也以管弦器樂、電子聲響進行非常規的演譯綴飾，為每首歌確立情緒相連卻不感重複的遞近章節。

開場〈破體〉恢弘壯烈、〈放射線治療〉帶有急驟緩煞的閃爍速度感。〈副作用〉邀請韓國詩人歌手李瀧，哼唱韓語童謠及關於生死的詩詞，融入「狐狸」角色亦俱女性發聲視角。

標題曲〈遺心病〉在鋒利的提琴音色中，迸出殘肢血腥味，卻也以電風琴和謝明諺的薩克斯風獨奏，為生之欲下註解。〈一命〉如蓄力一拼的迴光返照，至終篇〈解藥〉以溫昫始、恐懼終，徒留半生的餘悸猶存。

生命被疾病重建，我們已不再是我們。音樂能為所有痛苦掙扎的人們留下什麼，唯有走過、試過後方能知曉。由「見本生物」打造的專輯設計，以外膚色黑紙印與細胞變形字體，呼應潛伏的病徵與受侵蝕人體共生。

光的背後有影，黑暗隨時會反撲，絕境讓我們意識到變化之不復返，可在廢墟中或許我們更能懂得愛與珍惜。

收錄曲目
1.    破體 Broken Bodies
2.    放射線治療 Radiotherapy
3.    副作用Side Effects feat. 李瀧 Lang Lee
4.    遺心病 Long Haul
5.    一命 One Blood
6.    解藥 The Cure

英文版
"Long Haul" is an endless ritual.
Illness clings, corrodes, spreads—
we resist, withdraw, and dance with it.

A nameless creature stirs quietly within,
playing out a script no life can escape.
Even those closest cannot help but fear, or weep...

Love becomes the cure,
companionship the record.
The diagnosis: Long Haul.

From "Broken Bodies" to "The Cure",
from collapse to rebirth—
these six songs speak of time and the body,
of being and of will.

We may be powerless before fate,
but the love we find along the way
can still change a life.

ᔓᔓᔓ

Bugs of Phonon’s third album, "Long Haul" (2025), is born from the raw experience of illness close to home—a quiet elegy to what time takes from us, etched into both body and memory.

Blending instrumental post-rock, electric organ, free jazz, strings, darkwave, experimental electronics, and whispered lullabies, the album conjures a soundscape like the last reel of a fading world—cinematic, fractured, and tenderly defiant.

"Long Haul" unfolds over six interconnected tracks, told through the shifting voices of patient, companion, illness, and fate.
It traces the animal desperation of onset, the ghostly side effects of healing, the suspended breath of near-death moments—and finally, the fragile calm of seeming recovery, shrouded in a collective fear: the unspoken "Long Haul" syndrome—where love survives, but never unscathed.

The album was composed by guitarists Chih-Ming Ko and Lu-Ming Lu, with arrangements by Bugs of Phonon and production by Lu-Ming Lu. Recorded at the renowned 112F Recording Studio in Taipei, the album marks a significant evolution in the band’s sound—more mature, boundary-pushing, and emotionally nuanced than previous works.

Enhancing melodic guitar lines and rhythmic complexity, the album integrates orchestral instrumentation and experimental electronic textures through unconventional arrangements. Each of the six tracks forms a distinct yet emotionally connected chapter, deliberately avoiding repetition and formula.

The opening track, "Broken Bodies", sets the tone with a grand, almost heroic soundscape. "Radiotherapy" follows with a dynamic pulse—swift, volatile, and unrelenting. "Side Effects" features South Korean poet and singer Lang Lee, whose haunting humming and spoken poetry—intertwining themes of life, death, and the folkloric figure of the fox—lend a spectral, feminine voice to the narrative.

The title track, "Long Haul", is visceral and unflinching, evoking the scent of blood and broken flesh through piercing violin lines. Yet, the electric organ and a poignant saxophone solo by Minyen Hsieh introduce a sense of yearning and fragile beauty. "One Blood" reflects a quiet introspection—a glimmer of light before the final chapter. The closing track, "The Cure", begins with warmth but descends into unease, leaving a resonant trace of fear and the haunting weight of a life half-lived.

Illness reshapes life—
and we are no longer who we once were.
What can music offer to those who suffer?
Perhaps only this: a passage through.
Only by walking its path can we begin to understand.

The album design, created by Sample Animal, mirrors this journey—
black paper holds the weight of silence,
while distorted cellular typography evokes hidden symptoms,
a quiet symbiosis between the body and what dwells within.

Behind every light, a shadow lingers.
Darkness can return without warning.
Only in the face of despair do we see that some changes cannot be undone.
Yet in the ruins, we may come to understand love—
and what it truly means to hold something dear.